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The Adderall Diaries, directed by Pamela Romanowsky
The Adderall Diaries, directed by Pamela Romanowsky

The Adderall Diaries,

directed by Pamela Romanowsky

(R, 105 minutes)

In 2001, Stephen Elliott published a semi-autobiographical novel called A Life Without Consequences that told the story of Paul who, like the author, left home at 13, lived on the streets of Chicago for a year, was made a ward of the court and grew up in group homes and institutions.

Elliott experienced some backlash and wrote about it in his 2010 book The Adderall Diaries, a meditation on the ways we manufacture stories. It's an account of Elliott's coverage of a high-profile murder trial but also a story about the dark capacities of alpha males.

In Pamela Romanowsky's film version of Adderall, James Franco plays Stephen, a swaggering poseur who accepts a teaching gig at Columbia University, readies a book of short stories and embarks on a new memoir.

In the film, Stephen's first book is called A Part and was presented as a true story. So when the abusive dead father (Ed Harris) Stephen wrote about in A Part shows up at one of his book signings, gritty-authentic Stephen suddenly has a credibility problem.

It's not difficult to see what first-time director Romanowsky is trying to get at in this stunningly shallow movie -- it's all about the unreliability of memory and the lies we tell ourselves. But it feels like a lie itself, with Franco delivering a Stephen who is all flash and superficial charm.

In an effort to re-establish himself, Stephen latches on to the murder trial of Hans Reiser (Christian Slater) and encounters a New York Times reporter (Amber Heard) with whom he embarks on a sadomasochistic affair.

While Romanowsky gamely tries to negotiate the same structural tricks as the book, which employed the Reiser case as a base camp from which the author could depart and return, in the film it feels like a subplot despite the cinematic tricks that the director uses to try to connect the stories. Only occasionally do the stories resonate in any kind of harmony.

But it positively zips along. With a 105-minute running time, you'll be asking, "What the heck was that all about?" before you know it.

The Mermaid (R, 100 minutes) This broad, slapsticky environmental comedy (China's highest-grossing release ever) uses seven screenwriters and director Stephen Chow to tell the ambitious but ultimately unclear story of a mermaid (Jelly Lin) who falls for the evil real estate developer she's assigned to seduce and eliminate. With Yun Lin, Show Luo, Chao Deng.

The Pack (unrated, 99 minutes) Our beloved four-leggers turn nasty in The Pack, an Australian Outback horror effort in which killer wild dogs mount a focused assault on a financially insecure sheep rancher and his soon-to-be-evicted family, who don't possess sensible survival skills. It's not Jaws, but it has its moments. With Anna Lise Phillips, Hamish Phillips, Jack Campbell; directed by Nick Robertson.

By the Sea (R, 132 minutes) Beautiful in a dreamy sort of way, By the Sea is as stylish, somber and sleepy as the French seaside town setting in which a married couple vacations -- while considering love and loss -- in the 1970s. With Angelina Jolie-Pitt, Brad Pitt, Niels Arestrup; directed by Jolie-Pitt.

Term Life (R, 93 minutes) A lack of atmosphere detracts from this overly well-cast wannabe noir, which concerns desperate and despised criminal Nick (Vince Vaughn), who's on a variety of hit lists by those he has done wrong. So he takes out an insurance policy on himself, payable to his estranged daughter (Hailee Steinfeld), which takes effect in 21 days. Will he live that long? With Mike Epps, Shea Whigham, Jonathan Banks, Bill Paxton, Jon Favreau; directed by Peter Billingsley.

Code of Honor (R, 106 minutes) Steven Seagal is still making action movies. But most of them are better than this. Here he plays Robert Sikes, a onetime special-ops agent (again) intent on eliminating each and every criminal in sight. This pursuit makes him the target of a cop (Louis Mandylor) and a federal agent (Craig Sheffer) who are concerned about Sikes' apparent disregard of the law when it comes to gunning people down. With Helena Mattsson; directed by Michael Winnick.

MovieStyle on 07/08/2016

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