NEW YORK -- In a sleepy post-Thanksgiving weekend at the box office, Pixar's Coco remained the top film for the second straight week while a number of Oscar contenders packed theaters in specialty release.
Coco again easily led all films with $27.5 million in the U.S. and Canadian theaters, according to studio estimates Sunday. The acclaimed animated tale based on the Mexican holiday Dia de los Muertos (Day of the Dead) has dominated new releases domestically and abroad. It has already racked up a global gross of $280 million, including record-breaking totals in Mexico and an impressive $75.6 million in China.
With no major wide releases, Warner Bros.' Justice League also held in second place with $16.6 million in its third weekend. With a domestic total of $197.4 million in three weeks, the DC Comics superhero team-up release isn't going to catch Marvel's Thor: Ragnarok. The better-received Thor sequel has proved far mightier, with nearly $292 million in five weeks of release.
The family film Wonder, about a fifth-grade boy (Jacob Tremblay) with facial abnormalities, likewise stayed in third with $12 million. The sleeper hit of the season, also starring Julia Roberts and Owen Wilson, has taken in about $88 million in three weeks for Lionsgate.
Among new releases, most successful was James Franco's The Disaster Artist. The comedy opened with $1.2 million on 19 screens, good for a per-screen average of $63,755. The film, directed by and starring Franco, is about the making of the infamously bad cult movie The Room.
With most studios staying clear ahead of the impending release of Star Wars: Episode VIII -- The Last Jedi (which some forecasts peg for a $200-million debut), much of the weekend's action was with awards-season releases. They helped drive the weekend to the biggest post-Thanksgiving weekend in five years, according to comScore.
Greta Gerwig's Lady Bird, which spent the week collecting honors from the New York Film Critics Circle, the Gotham Awards and the National Board of Review, added 403 theaters, for a total of 1,194. The A24 release, starring Saoirse Ronan and Laurie Metcalf, earned $4.3 million, bringing its total to about $17 million.
Fox Searchlight's The Shape of Water, an acclaimed monster-movie fantasy from director Guillermo del Toro, opened in two New York theaters with $167,000. (The $83,400 per-screen average ranks as among the best of the year.) Searchlight's Three Billboards Outside of Ebbing, Missouri, also expanded to 1,630 screens and grossed about $4.4 million. The Frances McDormand-led film has grossed $13.5 million.
The coming-of-age tale Call Me By Your Name, which topped the Gotham Awards on Monday, remained in very limited release -- four theaters -- and pulled in an excellent per-screen average of $73,890. The Sony Pictures Classics two weekends ago debuted with the highest screen-average of the year. The film's young star, Timothee Chalamet, has emerged as one the leading best-actor contenders.
Also of note: Woody Allen's latest, Wonder Wheel, opened with $140,555 in five theaters; Focus Feature's Winston Churchill biopic Darkest Hour took in $106,000 in four theaters; and the 20th anniversary release of Titanic grossed $438,602 in 87 theaters.
THE ASSOCIATED PRESS
The top 20 movies at U.S. and Canadian theaters Friday through Sunday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by comScore:
Coco, Disney, $27,533,304, 3,987 locations, $6,906 average, $110,108,708, 2 weeks.
Justice League, Warner Bros., $16,651,104, 3,820 locations, $4,359 average, $197,407,025, 3 weeks.
Wonder, Lionsgate, $12,147,182, 3,449 locations, $3,522 average, $87,679,805, 3 weeks.
Thor: Ragnarok, Disney, $9,885,936, 3,148 locations, $3,140 average, $291,633,535, 5 weeks.
Daddy's Home 2, Paramount, $7,572,390, 3,403 locations, $2,225 average, $82,886,836, 4 weeks.
Murder on the Orient Express, 20th Century Fox, $6,767,002, 3,201 locations, $2,114 average, $84,839,515, 4 weeks.
Three Billboards Outside Ebbing, Missouri, Fox Searchlight, $4,396,537, 1,430 locations, $3,075 average, $13,537,057, 4 weeks.
Lady Bird, A24, $4,291,590, 1,194 locations, $3,594 average, $16,837,041, 5 weeks.
The Star, Columbia, $4,078,423, 2,822 locations, $1,445 average, $27,358,076, 3 weeks.
A Bad Moms Christmas, STX Entertainment, $3,385,484, 2,251 locations, $1,504 average, $64,737,307, 5 weeks.
Roman J. Israel, Esq., Columbia, $1,958,702, 1,669 locations, $1,174 average, $9,526,792, 3 weeks.
The Disaster Artist, A24, $1,211,345, 19 locations, $63,755 average, $1,211,345, 1 Week.
The Man Who Invented Christmas, Bleecker Street, $882,836, 673 locations, $1,312 average, $3,170,258, 2 weeks.
Titanic 20th Anniversary, Paramount, $438,602, 87 locations, $5,041 average, $438,602, 1 Week.
Blade Runner 2049, Warner Bros., $401,403, 515 locations, $779 average, $90,785,165, 9 weeks.
Junior Majeur, Entertainment One Films, $345,710, 87 locations, $3,974 average, $1,198,440, 2 weeks.
Call Me By Your Name, Sony Pictures Classics, $295,561, 4 locations, $73,890 average, $922,456, 2 weeks.
Marshall, Open Road, $247,772, 651 locations, $381 average, $9,150,000, 8 weeks.
Jigsaw, Lionsgate, $222,803, 301 locations, $740 average, $37,603,791, 6 weeks.
Loving Vincent, Good Deed Entertainment, $213,066, 162 locations, $1,315 average, $5,503,561, 11 weeks.
MovieStyle on 12/08/2017