Adam Sandler is a huge star, a fact Netflix bet heavily on when the streaming service signed him to a four-movie deal in 2014, and then re-upped last year.
But his filmography includes at least two entries with a 0 percent rating on Rotten Tomatoes (Bucky Larson: Born to Be a Star and The Ridiculous 6, a Netflix-only Western parody). Several of his other films hover between 1 and 10 percent.
That probably accounts for the title of his first stand-up special in decades: 100% Fresh. It's part of his Netflix deal that has yielded a crop of movies that show the comic is trying out a new direction, hopefully.
The most surprising part is the new special is good. Why it's good might be illuminating: It relies on nothing but Sandler's absurdist observations, and puerile humor distilled in short parody songs that worm their way into your head.
By stripping away all the baggage that generally comes with Sandler -- yes, that means David Spade, Rob Schneider (who only appears for a brief moment, the special's worst), all the over-the-top costumes and absurd plots -- the audience can focus on Sandler. The only other person on stage is pianist Dan Bulla, who co-wrote all the songs and occasionally acts as a foil.
Sandler doesn't totally ditch silly voices or ridiculous characters; he just doesn't try turning them into a feature-length movie. Instead, the special feels like it was made for the social media generation. It's culled from dozens of live performances from venues ranging from tiny comedy clubs to arenas in Los Angeles and New Jersey.
Nearly every segment -- the longest of which lasts about a minute, until the final 10 minutes -- comes from a different appearance. Sometimes multiple performances are spliced together into a single, less than 60-second bit.
That quickness enhances the special, allowing it to feel like hanging out with a friend who's just riffing on anything that comes to mind. He constantly breaks, laughing at himself. He tells dumb jokes like "I go to the gym, of course, but only to pick my wife up," and then cracks up at how dumb they are.
Perhaps the biggest takeaway is how gifted a musician he is. He perfectly apes artists as wide-ranging as Joy Division, Bruce Springsteen, Billy Joel and Migos. The songs are joyfully childish, generally revolving around a simple idea like a smelly Uber driver, what we carry in our pockets or your kid being cast in a school play. ("My kid's only got one line in the play, I said my kid's only got one line in the play/It's in the first five minutes, but my wife says we still gotta stay the whole way," he sings.)
The two best moments are unexpected in wildly different ways.
One is a recorded bit of Sandler in disguise attempting to busk in a New York subway. He's performing the same material as in this special, but no one finds him funny. He doesn't get a cent, but he does get dirty looks. It's almost like Sandler is saying, "Yeah, I know this is stupid, but at least it's fun."
The second is the one-two punch of the show's final songs: one an ode to his late friend Chris Farley and the other an ode to his wife, Jackie Sandler.
He introduces the Farley song with: "This is a very special song." And it is. With a Farley montage playing on a screen behind him, Sandler sings about his friend with an unexpected sincerity, even while the lyrics generally remain humorous.
Halfway through, he launches into a sorrowful guitar solo that lasts for more than a minute.
Then Sandler sings some truth: "We'd tell him somehow you'll end up like Belushi and Candy/He said those guys are my heroes that's all fine and dandy," before offering a painful scene from Farley's funeral:
"But a few months later, the party came to an end/We flew out to Madison to bury our friend/Nothing was harder than saying goodbye/Except watching Chris' father have his turn to cry."
The deeply affecting song ends with a coda: "Maybe, if we'll make enough noise, he'll hear us."
"I couldn't wait to sing that, and I knew it would be special," he tells the audience, before fondly remembering his friend. "He was the best. He was the best."
For the last few minutes, Sandler holds on to that vulnerability by closing with a sincere -- if not funny and a little dirty -- song to his wife with an updated version of "Grow Old With You" from The Wedding Singer.
It chronicles their relationship, including a callback to the special's title: "When I'm on a diet, you take away my potatoes/Say '[expletive] all those guys after reading Rotten Tomatoes/I hope they all die miserable deaths as I grow old with you.'"
Perhaps, for the first time in a long while, Jackie Sandler won't have to wish death to critics, who are praising the special. Because by stripping away all the absurd accoutrements, the comic seems to have remembered what made him funny in the first place: being himself.
Style on 11/04/2018
Print Headline: Did Adam Sandler just make something good?!