Today's Paper Latest Coronavirus Cooking Families Core values App Listen Story ideas iPad Weather Newsletters Obits Puzzles Archive
ADVERTISEMENT

There are disposable masks bought in bulk: light blue, three-ply, fastened with white elastic hoops. There are do-it-yourself masks, stitched at home, and designer masks, sold for $10 or $100.

Then there are masks made by a collective of the world's most elite couturières: the seamstresses of Chanel, Dior and Saint Laurent, among others, who spent lockdown making more than 3,000 of them -- a limited edition of sorts.

But these masks are not for sale, and the people wearing them are not influencers or celebrities. They are not the sort who, pre-pandemic, sat in the front row at Paris Fashion Week wearing a mask plastered with bright white Chanel camellias. They are the city's nurses, bakers and firefighters. And that distinction is important to the masks' makers.

Their collective, called Tissuni (a portmanteau of the French words for "united fabric"), was founded in March by Marie Beatrice Boyer, a seamstress at Chanel.

This was early on in the pandemic, a few days before U.S. designers like Christian Siriano began sewing masks from home. Boyer, 36, had heard from a midwife friend that a hospital in Grenoble was using fabric coverings to preserve its surgical masks.

She enlisted a few fellow Chanel seamstresses, and they began developing prototypes. On March 18, the day after Paris' lockdown began, Boyer bought the Tissuni domain name.

Since then, the collective has grown to more than 100 members, according to Boyer. Many are haute couture seamstresses; in addition to Chanel, Dior and Saint Laurent, they come from Jean Paul Gaultier, Schiaparelli and the Paris Opera.

They made their masks from personal fabric supplies, and when those were depleted, used old curtains, pillowcases and clothes. They donated the masks to hospital workers but also to law enforcement and Paris' "front line": cashiers, delivery people, taxi drivers.

Demand grew beyond the collective's capabilities. "Sometimes we received more than 200 requests per day," Boyer said.

The collective was adamant about not charging for the masks (though some recipients would offer payment as thanks). As the lockdown continued, Boyer watched as mask-making shifted from a good, neighborly deed into a "commercial initiative."

"What offends us is to see luxury brands selling fabric masks for more than $100 and to advertise them," she said.

Recently, Boyer has returned to work, focused on the next Chanel collection, presented in a digital show July 7.

"You realize that a simple piece of fabric, well-cut, can have a direct impact on people's lives," she said. "We will never see a more beautiful collection than that of all the masks made and distributed free of charge by all the seamstresses and dressmakers from all houses and all regions."

ADVERTISEMENT

Sponsor Content

COMMENTS - It looks like you're using Internet Explorer, which isn't compatible with the Democrat-Gazette commenting system. You can join the discussion by using another browser, like Firefox or Google Chrome.
It looks like you're using Microsoft Edge. The Democrat-Gazette commenting system is more compatible with Firefox and Google Chrome.
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT