Theater review

‘Into the Woods’ has energy aplenty at Rep

Headed “Into the Woods” (or, for the moment, the Hillary Rodham Clinton Children’s Library & Learning Center): Principal players (from left) William Romain as Jack, Ximone Rose as the Baker’s Wife, Annslee Clay as “Little Red Ridinghood,” Miranda Jane as the Witch, Erica Durham as Cinderella and Jacob Keith Watson as the Baker. The show opens for previews Tuesday and runs through May 8 at the Arkansas Repertory Theatre. (Special to the Democrat-Gazette/Stephen Thornton)

Don't try to make sense of Stephen Sondheim's musical "Into the Woods" before you see it.

Plot summaries, no matter how detailed, can't come close to capturing the weird, wild, mystical and moral complications of this curious musical, which opened Friday at Little Rock's Arkansas Repertory Theatre.

There's little point in trying to figure out where the story is going. Only the Brothers Grimm, the oddities who created the fairy tales on which it's based -- including "Little Red Riding Hood," "Jack and the Beanstalk," "Rapunzel" and "Cinderella" -- might know. And although there are plenty of light moments, remember: Fairy tales were never meant for kids.

The production (two hours, 40 minutes, including a 15-minute intermission), guided with authority by director Addie Gorlin-Han, follows a childless baker (Jacob Keith Watson) and his wife (Ximone Rose) in their efforts to begin a family, thwarted by a witch (Miranda Jane) who placed a curse on the baker's father years earlier. To break the spell, the witch demands that they find and bring to her four ingredients in the woods within three days: a cow as white as milk, a cape as red as blood, hair as yellow as corn and a slipper as pure as gold.

The results of their actions aren't, as Jimi Hendrix put it, "butterflies and zebras and moonbeams and fairy tales." Although the first act allows all sorts of bad behavior to go unpunished, there are -- as the second act makes clear -- cosmic consequences.

There's an abundance of energy throughout, cleverly presented via an interactive set design by An-Lin Dauber that allows for three scenes to take place at one time. She's also responsible for an original approach to costumes, including the use of Jethro Tull-ish codpieces on a couple of randy royal princes who prance across the stage.

You've never seen birds portrayed as whimsically and oddly accurately as they are here, summoned by Cinderella (Erica Durham) to help take down a giant (recorded-voiced off-stage by Hillary Rodham Clinton), the catalyst for all the troubles of characters such as ditzy Rapunzel (Hannah Gothard), Jack of beanstalk fame (William Romain) and Little Red Ridinghood (a dynamic performance by Annslee Clay).

Holding the plot together is the Narrator (Monica Clark-Robinson), who tries to keep a journalistic aloofness from the frenetic action: "I tell the story," she says. "I'm not a part of it."

Musical director Michael Rice, perched with the rest of the musicians above the fray in an orange box, herds this high-energy cast through a detailed landscape of catchy Sondheim music and lyrics. Foot-tapping is inevitable.

The production continues through May 15 at the Rep, 601 Main St., Little Rock. Ticket information is available by calling (501) 378-0405 or at Masks are encouraged but not required at all performances.