Will the groundbreaking Sundance series 'This Close' be next 'Schitt's Creek'?

Shoshannah Stern and Josh Feldman star in the Sundance TV series, "This Close." (SundanceNow/TNS)
Shoshannah Stern and Josh Feldman star in the Sundance TV series, "This Close." (SundanceNow/TNS)

Before This Close crept quietly into television history last year, there had never been a TV series created by and starring deaf actors. Now, thanks to Shoshannah Stern and Josh Feldman, there is.

For its second season, This Close -- which previously had a short-form life on the Web -- moves from the streaming platform Sundance Now to its cable parent Sundance TV and expands from six to eight episodes. Historical significance aside, the series is very good: smart and sensitive, fearless and funny, unpredictable in a lifelike way, dark at times but illuminated by the personal charisma and interpersonal chemistry of its creator-leads. (The first season was nominated for Peabody and GLAAD Media awards.)

Still, like Schitt's Creek, which had been around for a few seasons on Pop before the wider world noticed, it may take something like Netflix distribution to get the show the very wide audience it deserves.

Stern, whose career has included stints on Weeds and Supernatural, plays Kate, who works in public relations. Feldman's Michael is a graphic novelist, struggling to create a follow-up to a previous success. Each is involved in other, romantic relationships, while a shared impulsiveness often puts them out of joint with each other. But the heart of the show, and the viewers' greatest concern, is their friendship.

"We wanted the show to be like a love story," Stern said through a translator, who also interpreted for Feldman. "A love story between two friends that are not and will never be in love with each other romantically. We did not want Kate and Michael to have dated in the past. Friendship is often explored in TV as kind of a given. You don't really have to work at it; it's there. Romantic relationships we see the ups and downs, but with a friendship we don't see it as much."

"In general," said Feldman, "both in TV and film -- and in real life -- romantic relationships are given more weight and importance. People are always saying, 'It's OK, you'll find someone, you'll find someone.' But our friendships tend to last much longer than our romantic relationships -- at least when you're in your 20s, that can be very true.

"In many TV shows, we don't see the friendship at the center. The friendship is often off to the side in a separate story line, while the lead is still looking for love," Feldman said. "You only get a happy ending if you find someone romantically. But what if you've already found someone, and that's a friend that's going to be there with you through thick and thin?"

The two met "five or six years ago" in Los Angeles. Stern was an actress who had been writing and not telling anyone; Feldman was a writer who had no thought of becoming an actor. "We became friends right away," he said. "We had very similar taste in TV shows and in movies; and one day Shoshannah said, 'I have this script I want to show you.' And I was like, 'Oh, you're a writer too.'"

Feldman and Stern formed a sort of two-person support group, as they worked on their individual projects. He was surprised to find she had written a heist thriller: "Honestly, I had expected a rom-com." (Stern mentions a script of Feldman's, written when he was 11, currently next to her bed: "It was very similar to This Close, actually -- a dark friendship.")

"And then one day," Stern said, "I had this really horrible audition. It was for a deaf character, but there was no truth to it; it felt almost like a violation of what it means to be a deaf person. So I'm venting to Josh about how I don't know how long I can keep doing this, I keep waiting for someone to create the story that finally feels familiar to me. So Josh says, 'Why don't we write that story together?' It had never occurred to me before."

Feldman had never created a deaf character. "Most of my scripts had gay leads; I tend to also have Jewish characters, because those are aspects of my identity I'm very familiar with. But before I started writing with Shoshannah, all my scripts were about hearing people, because that's what I thought would sell."

In their first drafts, Kate was deaf but Michael was hearing, Stern said. When they decided to make both characters deaf, "Josh was like, 'That's a great idea, so who's going to play Michael?' And I just looked at him."

"For me as a new actor," said Feldman, "the biggest learning curve has been not taking the work home with me. It did take me a while to really bounce back after filming on both seasons. At first I was a little bit confused -- 'I'm fine, I'm Josh, this is who I am.' But as an actor you really delve into the psyche of your character; even if it's just for the TV screen, it does feel real to you. So it took me a while to recover emotionally from filming."

"I've been acting for 20 years," Stern said, "and I'm not sure how to not take the work home with me."

Feldman says the intensity affected their relationship.

"Every time that we had to film a scene where Kate and Michael were fighting or where Michael was so [messed] up he doesn't remember what's happening, afterward I felt so bad I wanted to hug her, to make sure that we're in a good place. There was one scene where I had to get very physical with Shoshannah, and afterward all the producers were emailing notes. And I saw in that email, Shoshannah said, 'I felt threatened last night.' It wasn't me, it was the character -- I know that -- but still I made her feel that way, and that was really tough for me."

"Everyone said that scene was very hard to watch," Stern added.

"I was showing this season to my family," Feldman said, "and my mom kept screaming at the TV every time she would see Michael doing something wrong, and she kept looking at me, and I'm like, 'Don't look at me, I didn't do that personally.'"

"Likable was always much less important to us than relatable," Stern said. "The problem for me, with other deaf characters I've seen, and ones I've played myself, is that there is this mantle of, 'We are representative. We're here to educate people about our community. This is our purpose.' So the character kind of disappears. No one person is always pleasant or always good, and if that's the truth, then it's not very interesting."

Style on 09/22/2019

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