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A 'Supreme' Opera: LR company stages 'Scalia/Ginsburg' this weekend

by Eric E. Harrison | August 27, 2021 at 1:00 a.m.
Matt Tatus (left) sings the role of U.S. Supreme Court Justice Antonin Scalia, with Shannon Rookey (right) as Justice Ruth Bader Ginsburg and Michael Colman (center) as the Commentator in the Opera in the Rock production opening tonight. (Special to the Democrat-Gazette/Wendy Kelley)

One of the most peculiar friendships in modern politics was between the late Supreme Court justices Antonin Scalia and Ruth Bader Ginsburg, who, though on opposite sides of the ideological spectrum, shared a deep love of opera.

So it's perhaps not so peculiar that their friendship should become the subject of ... an opera.

Opera in the Rock opens its 2021-22 season with Derrick Wang's one-act contemporary opera "Scalia/Ginsburg," in partnership with the Clinton Foundation, with a 7:30 p.m. performance tonight. Tenor Matthew Tatus and soprano Shannon Rookey sing the title roles. Lyric bass Michael Colman sings the role of the Commentator.

Director Ella Marchment, traveling to Arkansas from the United Kingdom, says the opera plays out on a thrust stage, with the orchestra -- seven musicians from the Arkansas Symphony Orchestra -- behind. Geoffrey Robson conducts, and Marchment praises his flexibility and knowledge, and "Geoff makes the singers feel safe and comfortable," she adds.

Marchment says this is her first crack at this opera, and admits it's certainly unusual to have a British director handle such American fare, but, she says, "I've always been fascinated by the American political scene" and has been examining "how opera can be politicized." (She has been working on a piece titled "Black Water," about the 1969 Chappaquiddick scandal in which Mary Jo Kopechne died in a car the late U.S. Sen. Ted Kennedy drove off a bridge.)

Ginsburg's recent death and the questions it raised in allowing former President Donald Trump and then-Senate Majority Leader Mitch McConnell to quickly put a conservative successor into her seat have created a difficulty in how to stage the conclusion of the opera, Marchment explains.

"The end is quite difficult in hindsight because it reflects Ginsburg's decision to stay on the court," she says. So Marchment consulted the composer about possibly altering it; he said no. As a result, she notes, the production subtly acknowledges Ginsberg's passing, but is otherwise unchanged.

"Scalia/Ginsburg" reflects its characters' appetite for opera -- they actually appeared, in cameo parts, onstage in operas, Marchment notes -- with musical references to actual operas. The two title roles project as characters who, she adds, "are larger than life, playing on operatic tropes."

This is Marchment's first in-person production since the start of the pandemic; she recently put together a production in Chicago, where she is the artistic director of the Opera Festival of Chicago, online from Switzerland.

She's also on the faculty at Shenandoah Conservatory at Shenandoah University in Winchester, Va., and is "acclaimed as one of Europe's most original and progressive stage directors," according to a news release from Opera in the Rock. She'll be back in the spring to direct their production of Gaetano Donizetti's "Anna Bolena."

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FAQ

‘Scalia/Ginsburg’

WHEN — 7:30 p.m. today; 2:30 and 7:30 p.m. Saturday (masks required for the evening performance); 2:30 p.m. Sunday

WHERE — Great Hall, Clinton Presidential Center, 1200 President Clinton Ave., Little Rock.

COST — Opening night, $125, includes the performance, a panel discussion with director Ella Marchment, dessert reception, beer-and-wine bar and souvenir show poster; limited number of seats available at $56.65. All other performances, $40.

INFO — oitr.org/events

Print Headline: A 'Supreme' Opera

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